Since the reform and opening up, peopl&∏•∑e have always believed that the centra↓♥♠↔l city is the economic de♠© veloped city, which is♦¥£ not very accurate, at least one side♦>ε♠d, the economy is important™Ω↑•, but the construction of cultural a←©↑₽rt is one of the important i±>ndicators. Logo design leve< σ∑l in the final analysis is a cultura<Ωl ability. The devel♣&←opment of the design c♣≈✘Ωompany is closely rel'αated to the cultural©≠• energy and ability. Where the ☆σdesign is developed, it is often&∏ recognized by the wor☆"φεld's central city, ♥∏which is also the embodiment →÷σof the rational market and emot$σional feelings, but also the embodimentπ"γ of our social civilization.
Design company although not those of♦↓ big city grand, magni≠§ ficent and profound, but also has it♣π s own advantages of the city, from the>★→ small border town 25 years ago to toda® £y's metropolitan, the develo"pment speed of the desγ•ign company alarming. This is≠•∏φ not only reflected in ¥₽the economy, but more important ←₩is that the city is c><δreating a new tradition←, is creating a living ≈™•culture. I have propo≈♠sed the design of the company to cr εeate a new tradition and living cu β←↓lture as the theme, an'ε d now I feel this is re&©∑∏ally the characterist↕₩ics of our city, and we arφe also working in the dire πction of the "10뀧∞" design. In fact, imag♠¶αination and creativity are very im☆±portant to a city. As☆£ the soul of modern product, the d∞≠$esign of the great imagination ↓ε₹φand creativity, greatly im♥•£♣proving the cultural connotation <§≥☆of modern products, creating aαλ' very considerable cul tural added value, and rooted in the← design of modern commerci∑↕al society will be more broad prosp∑$£φects for the development of bu∑≠siness.
I think, the central ≥< city should have two radiation capacελ≈ity: Economic and cultural ∑§radiation. It can ev∑'↓↓en be said that the latter ¥ε£is more important than tΩhe former, because i★π n the final analysis, the✔' ultimate significance of thλ✘e city is the culture. Manyδ λ economically developed areas, i≠φγt is the center of the manufacturΩ±¶ing industry but not the central citδ≤λy. The reason why we take New York, Lo₹¥φndon, Paris, Tokyo as the wo≈σrld class city, not only←× because it has a hug♦÷<e economic radiation ≈®'energy, but more impoγε×rtant is the ability of its culture. Wλ↓e also see that in tod★♦₩ay's cultural industry,↑♦↓ especially in the development o©™λf creative design in¥→dustry, these cities reason to coσ₩$ntinue to hold a leading position in↓∑ the world, or because they have₽→€ strong cultural vitality ≈♦"↓as background. At this point, the≈××∏ company should be honest to♥±β design these big city♣£ seriously, learning.
At the same time, the modern ↔∏design art as a city consumption c₩ulture, life art of viviελ"≤d embodiment, design ar♣&t for industrial products and daily li£♣γ₩fe into, it is also a city cu™✔ ltural taste of ascension process≈•♦$. We say that innovation is t♣☆®he name of the design cα↓ompany, to a considerable extent, th☆≥σ e spirit of innovation is reflected in >¶∞many aspects of urban development throε"ugh continuous improvement and expansi♦♣ on of the design ability. At the sam✘≤e time, the design of the company as ∏>&↕an immigrant city, the <γ↔δspirit of tolerance is a×<↕nother feature of it. We canno&×₹t belittle other city, bu✘♦∏t we will not improperly≈φ belittle oneself. In this you₩↔ng city of immigrant★±£s, it is this spirit of tolerance, imag★±®ination, the ability to promote th≥♠is full of dreams of the city σ✔forward.
comments list
I want to comment