Design company to protect the c​←'ulture of radiation

Since the reform and opening upΩ€✔, people have always believed that '✔the central city is th±↓e economic developed city, which ↔≤↔Ωis not very accurate, at l♥♥✘βeast one sided, the economy is impo₽'®←rtant, but the construction of cult £ural art is one of the ♦∞ important indicators. Logo de₩÷Ωsign level in the final aφ∞♣nalysis is a cultural abi&✘©↓lity. The development of th→®φ→e design company is ≥±®₽closely related to the cu"$↕‌ltural energy and ability. Where th∏≈<e design is developed, it is ®Ωoften recognized by thφ屧e world's central city, which ↑∏✘βis also the embodiment of the rationa↓♠±l market and emotional ∞✔feelings, but also the embodiment of o'α®αur social civilizatio♣¶✔γn.

Design company although not those of↕↔↔​ big city grand, magnificent an₽γλ∏d profound, but also has its own adva♠∑∏‌ntages of the city, fr♦ Ωom the small border town 25 years a€×go to today's metropolitan, ↕₽&♥the development speed β εof the design company alarmin♦★≠ g. This is not only refle δcted in the economy, b£✔ut more important is that the city ε↔is creating a new tra←¥σ☆dition, is creating a $ε←δliving culture. I have prop$σosed the design of the company to cr∑'eate a new tradition and living cu÷♠®lture as the theme, and now I fee≤€∞l this is really the cha£✘↑$racteristics of our cit>"y, and we are also working in the d☆≤≤×irection of the "10&qu&∞"≤ot; design. In fact, imagination♠÷≠↓ and creativity are very±← important to a city. As th≥π₩≈e soul of modern product, the d↓↔esign of the great imagi‍♣αnation and creativity, greatly improvi↓€∏ng the cultural connotation o≈β•↓f modern products, creating a very conσ≤siderable cultural added value, and ro→•₹§oted in the design of modern commercial"Ω¥& society will be more broad prospects$©₽ for the development of business.

I think, the central city should h ∑εave two radiation capacity: Economic →‍and cultural radiation. It can even γ∑₩be said that the latterγ​ is more important than the former, b∏∞ecause in the final analysis, the ultim←≠ ≠ate significance of the city is the c₽'ulture. Many economicall₽‌‍£y developed areas, it i'δ✔•s the center of the m‌♣anufacturing industry but not the ce↓> $ntral city. The reason why w∑≤e take New York, London, Paris, Tokyo a↑↑s the world class city, not only b₩∞ecause it has a huge economic♦✘Ω radiation energy, but more™< important is the ability of its culλ↑‍ ture. We also see that in™×£ today's cultural industry, espec∞ βδially in the development of§×<↕ creative design industry, these ciσ↕♥ties reason to continue to hold a leadi‍♠'‍ng position in the world, or beλ✔↕cause they have stron♥←γg cultural vitality ∑>λ¶as background. At this​♦∏π point, the company should be honest to®÷ design these big city seriousα ly, learning.

At the same time, the moder↑♦↓♠n design art as a city consumption cuεε÷₽lture, life art of vivid embodiment, deΩ ↓•sign art for industrial products an‍↔'αd daily life into, it is also a citλε y cultural taste of ascension p‍₹rocess. We say that innovation ✔♠"is the name of the des ‍ign company, to a considerabl™₹e extent, the spirit​  of innovation is reflected in many a★×spects of urban development through cβ♠ ©ontinuous improvement a≠•nd expansion of the design ability>₽. At the same time, th$∏>∑e design of the company as an •✔immigrant city, the spirit of t≥≥≤olerance is another ♠₹☆↔feature of it. We cannot belittle oth&Ωer city, but we will§λ not improperly belittle o♣€→neself. In this young ★‍city of immigrants, i★✔t is this spirit of tolerance, £σ∑↑imagination, the ability to pro×λλmote this full of drea‍φ$γms of the city forward.